DILLON O\'BRIAN - SCENES FROM MY LAST CONFESSION NEW CD For Sale

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DILLON O\'BRIAN - SCENES FROM MY LAST CONFESSION NEW CD:
$25.28

Additional Information from Movie Mars

Product Description
Personnel includes: Dillon O\'Brian (vocals, acoustic guitar, accordion, piano, Hammond organ, drums, percussion); James \"Monkeyman\" Gibson (acoustic guitar); Jefferson Russo, Robert Emmet Dunlap (electric guitar); Jerry Donahue (guitar); Harry Orlove (guitar, mandolin); Jay Dee Maness (pedal steel guitar); Lili Haydn (fiddle); Ken O\'Malley (mandolin); Eric Rigler (uilleann pipes, tin & low whistles); James \"Hutch\" Hutchinson, John Davis (bass); David Raven (drums); M. B. Gordy (percussion); Emerson Hart (background vocals).
Recorded in Dillon\'s Bedroom, Encino, California from October to December 1993.
All songs written or co-written by Dillon O\'Brian.
Personnel: Dillon O\'Brian (vocals, keyboards); Emerson Hart (vocals); Harry Orlove (guitar, mandolin); Jeff Russo (guitar); Jim Gibson (acoustic guitar); Jerry Donahue (electric guitar); Ken O\'Malley (mandolin); Kevin Burke, Lili Haydn (fiddle); Suzie Katayama (cello, accordion); Eric Rigler (tin whistle, bagpipe); Jackie Daly (accordion); David Raven (drums); M.B. Gordy (percussion).
Recording information: 10/1993-12/1993.
The debut album by Baltimore-born, Los Angeles-based singer/songwriter Dillon O\'Brian is completely out of time. This kind of piano-based soft rock really should have come out on Asylum in the mid-\'70s, in between albums by Judee Sill and Warren Zevon. O\'Brian, who has written songs for Bonnie Raitt and others, is a gifted melodicist with a taste for introspective, autobiographical lyrics. The youngest of seven children and a devout Irish Catholic, O\'Brian mines his own life for material, from \"My Father\'s Son,\" about his parents\' emigration to the United States, to the self-explanatory \"Catholic Boys.\" The religious imagery is spread on a little thick at times, right down to the liner notes, and the production might be a little too \'70s slick for some tastes, but the songs, from the Jackson Browne-like \"Angel of Mercy\" to the jazzy closer \"The Analytical Mind,\" which recalls Tom Waits\' early work, are a uniformly strong lot. ~ Stewart Mason

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