AYERS CALE ENO NICO MINT VINYL FACTORY SEALED 1974 PITMAN 1ST EDITION ISLAND-US For Sale

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AYERS CALE ENO NICO MINT VINYL FACTORY SEALED 1974 PITMAN 1ST EDITION ISLAND-US:
$95.00

AYERS CALE ENO NICO MINT VINYL FACTORY SEALED PITMAN(?) 1974 1ST EDITION ISLAND-USPRIVATECOL48 NOW SHIPS AROUND THE GLOBEVIA \'s INTERNATIONAL SHIPPING
EVERY DISK IS PRE-PACKAGED IN A NEW \'INVEST IN VINYL\' POLY OUTER SLEEVE. PROFESSIONALLY PACKAGED AND SHIPPED USING VALUE MAILERS\' CARDBOARD LINERS AND RECORD MAILERS
SEE DISCOGS DETAILS & ALLMUSIC REVIEW BELOWJune 1, 1974 Review by Ned RaggettCourtesy of AllMusic.com

It isn\'t just that the four credited lead players are together, it\'s also that Robert Wyatt and (if one is excited by such a thing) Mike Oldfield are helping out as well. The whole result should have been a mind-blowing example of one moment of twisted brilliance after another, captured for the ages. And is it? Well, close enough. The week\'s rehearsal mentioned in the liner notes seems to have gotten everyone more or less on the same wavelength for the chosen songs, but Ayers, who was the headliner, just sounded too laid-back in the end to match the chilling brilliance of his guests, even with old Soft Machine mate Wyatt along for the ride. The first half of the album is the real winner as a result, not least for the sharp song choices. Eno\'s two selections are inspired; \"Driving Me Backwards\" gets even more freaked out than the studio version, turning into a lacerating death crawl thanks to Cale\'s violin, while \"Baby\'s on Fire\" in contrast almost turns friendlier at the end. Both Cale and Nico make strong marks with two of their most notable and notorious cover versions. The former\'s \"Heartbreak Hotel\" keeps much of the spaced-out paranoia familiar from the studio cut, just ominous enough. Meanwhile, Nico\'s take on \"The End\" easily equals her own studio take, the song creeping with dread and fear. Ayers\' selections take up the remainder of the album and they\'re, well, nice. But after the earlier shadows and psychosis, there\'s a little too much guitar mellowness and bongwater lounge grooves in contrast, aside from a wonderful, dramatic take on \"Two Goes into Four.\" His between-song asides are fun, though, while his voice is in fine shape, even if the French part on \"May I?\" just makes him sound like a dirty old man instead of Serge Gainsbourg.

DISCOGS DETAILS: Courtesy of Discogs

Kevin Ayers - John Cale - Eno* - Nico (3) – June 1, 1974

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Label:Island Records – ILPS 9291Format:Vinyl, LP, Album, Stereo, Pitman BluesStyle:Prog Rock, Experimental, Rock & Roll, Art Rock, Modern Electric BluesA1Eno*–Driving Me BackwardsBass – Kevin AyersBass Drum – Eddie SparrowPiano – Ollie HalsallViola – John CaleVocals, Written-By – Eno*5:48A2Eno*–Baby\'s On FireBass – Kevin AyersPiano – John CaleVocals, Written-By – Eno*3:34A3John Cale–Heartbreak HotelBacking Vocals – Doreen Chanter, Irene Chanter, Liza StrikeVocals – John CaleWritten-By – E. Presley*, Mae Axton*, T. Durden*4:54A4Nico (3)–The EndVocals, Harmonium – Nico (3)Written-By – The Doors8:51B1Kevin Ayers–May I ?5:16B2Kevin Ayers–Shouting In A Bucket Blues4:47B3Kevin Ayers–Stranger In Blue Suede Shoes3:14B4Kevin Ayers–Everybody\'s Sometime And Some People\'s All The Time BluesGuitar [Solo] – Mike Oldfield4:06B5Kevin Ayers–Two Goes Into FourAcoustic Guitar – Kevin Ayers, Mike Oldfield, Ollie HalsallTimpani [Tympani] – Eddie SparrowViola – John Cale2:17
  • Manufactured By – Island Records Inc.
  • Distributed By – Island Records Inc.
  • Phonographic Copyright ℗ – Island Records Ltd.
  • Recorded By – Island Mobile
  • Recorded At – Rainbow Theatre London
  • Mixed At – Sound Techniques, London
  • Published By – TRO-Cheshire
  • Published By – Tredleu Music, Inc.
  • Published By – Doors Music Company
  • Published By – Ackee Music, Inc.
  • Published By – WB Gold Music Corp.
  • Mastered At – Artisan Sound Recorders
  • Pressed By – Columbia Records Pressing Plant, Pitman
  • Bass – Archie Leggatt* (tracks: A1 to A3, B1 to B3, B5)
  • Drums [Drum Kit] – Eddie Sparrow (tracks: A2, A3, B1 to B3)
  • Electric Piano – Rabbit* (tracks: B1 to B3)
  • Engineer – John Wood
  • Engineer [Recording Assistant] – Phil Ault, Ray Doyle
  • Grand Piano – Rabbit* (tracks: B1 to B3)
  • Guitar – Kevin Ayers (tracks: B1 to B4), Ollie Halsall (tracks: A2, A3, B4)
  • Lead Guitar – Ollie Halsall (tracks: B1 to B3)
  • Organ – Rabbit* (tracks: A1 to A3, B1 to B5)
  • Percussion – Robert Wyatt (tracks: A1 to A3, B1 to B3, B5)
  • Presenter [Concert Presentation] – Ian Tilbury
  • Producer – Richard Williams (6)
  • Synthesizer – Eno* (tracks: A1 to A4, B5)
  • Vocals – Kevin Ayers (tracks: B1 to B5)
  • Written-By – K. Ayers* (tracks: B1 to B5)
Recorded at the Rainbow Theatre, London, on June 1, 1974, on the Island Mobile, and mixed at Sound Techniques℗ 1974 Island Records Ltd.
Manufactured and distributed by Island Records, Inc.
7720 Sunset Boulevard
Los Angeles, California 90046
Printed in U.S.A.Mastered at Artisan Sound Recorders, CaliforniaRunouts are etched except \'[Artisan logo], B 3, A2\' are stamped.
  • Rights Society (A1 to A3): BMI
  • Rights Society (A4 to B5): ASCAP
  • Pressing Plant ID: P
  • Matrix / Runout (Side A runout, variant 1): ILPS 9291-A [Artisan logo]
  • Matrix / Runout (Side B runout, variant 1): ILPS 9291-B [Artisan logo]
  • Matrix / Runout (Side a runout, variant 2): P ILPS 9291-A 1 [Artisan logo] B 3
  • Matrix / Runout (Side B runout, variant 2): P ILPS 9291-B X 1 [Artisan logo] A 2


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